Screen

Agesim in Hollywood means older women are marginalised to reductive supporting roles and painted into one-dimensional archetypes.

A new Greta Thunberg biopic has drawn criticism from those who don’t see the value in the stories of young lives. But children’s voices matter and Thunberg’s is potent.

This week, we’re watching the show everyone is talking about – Emily in Paris. It’s totally and utterly bingeable!

Screen Australia has revealed that it is on track to meet its new Gender Matters KPI at the end of 2021/2022.

Creative women are tapping into markets and advancing new ways for us all to connect for a better society. Here are some top entrepreneurs!

This week, Jessie looks at a new Aussie romcom on Netflix, a book edited by Helen McCabe and Jamila Rizvi and listens to Julia Stone.

Ellen DeGeneres kicked off the 18th season of her show by addressing the allegations of a toxic workplace sparked in July.

There is zero homophobia, violence or toxic masculinity on this show. Love is love in Schitt’s Creek without comment or fanfare.

This year’s Emmy Awards are the most diverse ever, with 38 black actors and performers being nominated across 16 acting categoires.

In this week’s Culture Wrap, Jessie Tu picks a Japanese feminist tv series, a hilarious debut novel, and a podcast from comedian Madi Murphy.

The story of Mulan has been told and retold for 1,600 years. This Disney version is more conservative than one told in the 17th century.

The Inventor is compelling viewing, but why have there been more films about Steve Jobs in the past 30 years than about successful female entrepreneurs?